Love is in the air!

Winter is a time of blustery winds, warm blankets, and book friends to fill your heart.

Sunday, January 27, 2013

Hedda Hopper



Hedda Hopper began her career as an actress in silent movies. She was a beautiful woman who appeared in more than 120 movies in twenty-three years. In the 1930's her acting career began to wane and she needed to find a new source of income. On Valentine's Day in 1938 she became a gossip columnist and Hedda Hopper's Hollywood appeared for the first time in The Los Angeles Times. Her career made her a household name and she made regular appearances on radio and television. She wrote a regular column until her death in 1966. 

Hedda Hopper was a remarkable lady with a stunning career, but this column is not actually about Hedda. The plan is to use her name as a segue into a favorite writing topic of mine...

Today we are going to talk about Head Hopping!



Yes, Head Hopping. 

What is Head Hopping, you ask.

Head Hopping is when for no apparent rhyme or reason, you switch your Point of View character. It tends to be a novice mistake. Many of our favorite authors did this when they first began, but editors and readers both dislike the habit. It jars them out of the story, and once a reader is jarred out of the story, she may never return. That is not good.

For the basis of this article the romance genre is going to be used as the primary venue, but head hopping occurs in all fields of fiction.

In a romance there are two primary characters. The hero and the heroine. If a romance is written in first person, you only get the POV of one character. (We are not going to discuss omniscient point of view in this column, because it is obsolete in romance.) In the last century most romances were told only from the point of view of the heroine, but sometime around the mid-eighties or early-nineties, the hero started getting more of a point of view and the readers ate those romances up. Sometimes you can throw in the villain's thoughts, but if you do this, you want to give him/her a strong presence, not just throw them a line of two in order to describe what the heroine looks like, how buff the hero is, what kind of shoes she is wearing. 

When you show readers the world as seen by the point of view character, make sure it is important to move the story along, for the reader sees the world through that character's eyes.

Do not switch heads in the middle of a scene. A scene should be told by the character who has the most at stake in that scene. That way you can include their inner thoughts, their inner turmoil, which you cannot do if you give the point of view to the wrong character. (Or-heaven forbid-an outsider!)

In my current WIP, The Billionaire's Counterfeit Bride, I have a scene that has six people in it. Three are window dressing and have no dialogue, the other three characters are the American Ambassador, the hero, and the heroine. It would be easy to tell the scene through the Ambassador, but he doesn't have any skin in the game. In order to engage the reader she has to know what the heroine is feeling. This scene belongs to Cassidy and no one else.

Later in the book, Cassidy has been attacked and is unconscious. Because Cassidy is out of it, there is only one person we can live this scene through, and that is Theron, Cassidy's hero. Sure, we could later learn what happened by having Theron explain to Cassidy what happened while she was knocked out, but then we would not learn how he felt while the action was happening and the reader doesn't have the chance to see what has occurred because she is being told about it later.

Point of view is how we engage the reader, how we immerse the reader into the plot, the feelings, the adventure.

If we want to tell the reader how a character smells and we give the dog a point of view, he may tell us she always reminds him of rolling around in a field of lavender. In this instance, will the reader really relate? Especially if that dog never appears with a point of view again?

Which scene of the following scenes do you think would evoke the reader's compassion more? 

A pregnant woman staggers up to a no-name cashier at the local grocery chain and the cashier thinks, "Oh no! This woman looks like she's going to have that baby right here on my conveyor belt. Gross." 

Or: 

Dulcie felt another sharp pain in her lower back. The baby had been pressing hard on her sacroiliac for months, but it had never felt this bad before. The cash register looked like it was ten miles away. She put most of her weight onto the shopping cart and allowed the wheels to carry her down the aisle. Just a few more steps and she would be able to pay for little Chelsea's lunch. Just a few more steps. A gush of hot liquid exploded down her legs. The sound of water hitting the floor was followed by her heart also dropping to the floor. It was too soon. Much too soon. The baby wasn't due for two more months!

Finally the register was only two steps away. The cashier would have to get the manager to call 911. Dulcie looked into the cashier's eyes and the girl crumbled onto the floor. Dulcie's warped sense of humor kicked in as she suppressed a giggle and wondered who needed 911 more.

Point of view is important. Don't throw it away. Give it to the important characters. You can always find another way to let your readers know that the hero has a tattoo over his heart or the heroine is wearing Jimmy Choo's.

Saturday, January 19, 2013

Blank Screen

I love it when I begin a new project and I see the blank screen. That great expanse of white is calling to me, begging me to fill it with a jumble of letters that will eventually become a story.

I, my dear friends, am a pantser. No, no, no. I do not run around pulling men's pants down to their knees. (However, it is a thought to be considered.) In the writing industry a pantser is someone who sits down and writes, no lengthy outlines, no fifty page synopsis, no binders full of notes. Just the writer, the writing instrument, and the words in the author's head.

Each word that hits the computer screen is a surprise and the story can take you places you wouldn't believe. There are times you have to rope the characters in and pull them back to the original story.

My friend Karen Frisch, author of What's in a Name is my opposite. She is a plotter. She writes extensive notes. She shuffles them around, cuts and pastes, until she has the story in the order she wants it, then she sits down and fills in the good stuff that holds the story together. She knows once she sits down that all her research is done. Her plot is set. Her clues are embedded. She has a firm road map and she knows where it is taking her.

Amanda Torrey, author of Teen Fury Unleashed, is a plotster. She does some of her plotting ahead of time, but most of her writing comes from the seat of her pants.


I have one story, I refer to as my psychotic thriller, that I am a puzzler with. I do not work on this book often, but when scenes come to me I write them down and place them where ever they belong in the story. I had actually written the final chapter the same day as I wrote the first chapter and ever since I have been adding puzzle pieces to the middle. I'll let you know how that works out when I have a chance to finish it.

What is your method of writing?



Monday, January 7, 2013

Nom de Plume, Does a Writer Need One?

Today a friend of mine announced on facebook that she has a new "author name", and someone asked why an author would write under another name. As an author who uses a nom de plume I have decided to try to give an answer to this question.

There are many reasons for a pseudonym. The reason Mary Anne Evans (George Eliot) and the Bronte sisters wrote under men's names was so that their works would be taken seriously. As recently as 1997, Joanne Rowling was told that boys would not buy a series of books written by a woman so she became J.K. Rowling.

Alice Mary Norton wrote Science Fiction from 1934 until her death in 2005 as Andre Norton, Andrew North, and Allen Weston. Science Fiction was seen as a man's bailey-wick. Alice Bradley Sheldon also wrote Science Fiction in the '60s and '70s under the name of James Tiptree Jr. for the same reason.

Samuel Clemens wrote under the name of Mark Twain, why isn't clear, there are several theories. I think perhaps it sounded more adventurous than Sam Clemens.

Others like Nora Roberts, aka J.D. Robb, and Jayne Ann Krentz, aka Jayne Castle and Amanda Quick, use different names to differentiate between the genres or sub-genres they write in. (An interesting note, at one time Jayne Ann Krentz wrote under seven different names, but now she only uses the three listed here.) Some of these name changes are at the request of publishers. 

There are some book series that are produced by book packagers. The company puts together a series idea with a free lance writer or writers. The books are written under one pseudonym even though there could be multiple authors in the series.

Stephen King was too prolific. When he was first being published his publisher believed a writer should only come out with one book a year, so he convinced Signet, his publisher, to allow him another name to write under. Thus Richard Bachman was created.

Throughout the history of writing there have been authors who either wanted to remain anonymous to society or have a more marketable name. An author named Illiterate Buttwipe probably would not be your first choice for a book of poetry, limericks maybe, but poetry . . .

I know several erotica writers who publish under a nom de plume. They are not ashamed of their work, but they are teachers, business women, mothers, daughters. They use another name to shield their families and protect their jobs.

Many writers, romance writers especially, have become targets for stalkers. (Did you know that romance books are a big hit with men in prison?) Many authors adopt a pen name for safety reasons.

Does an author's name matter? After all Shakespeare wrote:

What's in a name? That which we call a rose
by any other name would smell as sweet;

While that might be true, would you buy a love story by an author named Glorious Stinkypants or a mystery by Crude Privy?

Just as boys would not be anxious to buy a new book series by an unknown author named Joanne, most women do not want to buy a romance written by a man. There are men writing and selling marvelous romances, such as Howard Lowry aka Leigh Greenwood. The gender of the writer shouldn't matter, only the quality of the writing, but unfortunately, a book is judged by its cover and a very big part of that cover is the author's name. 

Happy reading my friends.



Tuesday, January 1, 2013

Father Time

Welcome Father Time to the Spellroom.

Thank you, Liberty, for inviting me here today. 

What is your job now that the Baby New Year is here?

So many people just think of me as an old man who disappears when Baby New Year enters the picture, but there are always lingering issues and projects which must be taken care of. They're still here, and so am I. I cannot retire until the old stuff is truly wrapped up and put aside. 

I wish I could spend the winter on a tropical island. Maui is my favorite. I love to surf. Maui has wonderful surfing and I get to ogle all the bikini babes. But until everything from 2012 is wrapped up, I'm still shuffling around with my walking staff and a lantern, trying to light the way for the laggards.

What advise would you give to Baby New Year?

Baby, make sure your folks stick to their goals for the year and give them an incentive to complete their goals while you are still young enough to enjoy the surfing. If your people are still sticking to their goals and resolution when you hit your teens in the spring, there is a good chance they can make it all the way, but the tricky time is between your teens and middle age, which hits in the summer. People tend to fall off schedule when they find more interesting things to do like mow the lawn or go to the lake. You just have to help them through the middle age slump and you can start to smell the board wax. Otherwise, next December 31st all the leftovers get rolled over to Father Time and bog us down for another year. 

Do you know that there are some people that are still working on goals from the 1950s? I mean really people! Join PA (Procrastinators Anonymous) and get completion, or just drop the old goals. Baby New Year gives you a chance to move on with your life, and this Father Time really wants to wax up his board and hang ten!

Wow! That is really strong!

Not really. There are too many people wishing their lives away and not doing anything active to make it happen. 

Human's are so lucky. They can do anything they want. They can fly in the air (hot air balloons, airplanes, gliders), they can swim with the fish, they can climb the highest peaks, and yet there are so many that choose to sit on their duffs and say, "why me?".

People, you want something, make it happen, and soon. I want to ride my board and hang with the Wahine Nani (pretty girls)!

What is the saddest thing you have ever heard?

I wish I had . . .

The solution is simple. If you want to do something, find a way to do it, but make sure you find a legal way to do it. I'm not visiting you in jail, it's bad juju.

You were humming a song when you walked into the Spell Room, what was it?

It was the saddest song I know, "If I Could Turn Back Time". 

Stop living in the past and live your life to the fullest in the present. There is no reason to mope. There is so much ahead for those who live life now. Do not wait for another Baby New Year or Father Time to pass through your life. Work for what you want now!

Thanks for having me, Liberty.

Do you have to leave so soon?

Surfs up! Gotta go wiki wiki! 

>>whosh<<

Ah, thank you, Father Time. I'll hang your robe in the closet until your next visit. Nice board shorts.


Sunday, December 30, 2012

Happy New Year

The New Year is upon us and many people are making their New Year Resolutions. Are you one of them?

What is it you would like to change about yourself or you hope to do better in the New Year?

You say you'd like to lose weight. That is something you have some control over. It requires you to stop eating the stuff you really love, (ice cream, candy, bread products) and exercise.

I have made it my mission to help you with the exercise part. (I had thought about helping with getting rid of the ice cream and candy, too, but then I thought of the mess my postal carrier would have to deliver. Ooey gooey ice cream! Moldy bread! CANDY!!!) I digress.  

Exercise is an important part of living. When we were young we ran down the streets, we biked to our friends, we danced in basements to the latest beats. We had fun and we were fit. Then we learned to drive cars and worked at jobs that kept us stationary. It is time to get out the hula hoop and jump rope (if your bladder can handle it). If you don't currently walk, get out everyday and walk. Start with a short walk. If around the block is too far to begin with, walk to the corner and back again. Do not park in the spaces too close to the store. Park further away and walk to the doors. This will improve your health in more ways than one. You will be walking and getting some of that exercise component in and you will also be saving your blood pressure from having to deal with the others that are trying to get all the "prime" spaces.

My favorite way to lose exercise is to get up and dance. You may not want to go out clubbing every weekend, but you can dance everyday. Even at work. If you have a device which will play music, such as a smart phone of some type or ipod (sorry, I'm not up on the latest and greatest technology) you can program songs in through Pandora or record music to take with you.

You should get off your duff at least once an hour and dance. If you are at work and the work space is not conducive or dance friendly, you may have to use the break room or even the rest rooms. Get up, turn on your music and dance. You don't need to know any special steps, just move your feet, shake your booty, and wave your arms around in the air. And don't forget to jump! You don't have to be graceful or make it look pretty. You're not about to get a spot on "So You Think You Can Dance" or "Dancing With the Stars" just have fun with it. (You may want to also carry your deodorant in case you need a touch up before going back to your station.)   

Taking special dance classes may be fun, but a Zumba class or step aerobics will not get your blood flowing on an hourly basis. (When you have good blood flow to your brain, your brain will work better and you will be a better employee.)

Below I have compiled a brief list of some of my favorite dance tunes. It is a good place to start if you are wondering what music is best for you. I am always looking for more dance music, please leave me your favorites in the comment section. Also feel free to FB.


Dropkick Murphys - I'm Shipping Up to Boston
Bob Segar - Old Time Rock and Roll
Dan Seals - I Want to Bop With You Baby
Mary Chapin Carpenter - Down at the Twist and Shout
Chubby Checker - Let's Do the Twist
Freddie & the Dreamers - Do the Freddie
The Kingsmen - Louie Louie
The Ventures - Wipe Out
Billy Joel - Still Rock and Roll to Me
John Cougar - Hurts So Good
Joan Jett and the Blackhearts - Bad Reputation
Aerosmith - Walk This Way
Jerry Lee Lewis - Peggy Sue
Jerry Lee Lewis - Whole Lot of Shaking Going On
Jerry Lee Lewis - Great Balls of Fire
Jerry Lee Lewis - Wild One
Trace Adkins - Hot Mama
Trace Adkins - Honky Tonk Badonkadonk
Jo Dee Messina - I'm Alright
Pam Tillis - Queen of Denial
Dolly Parton - Romeo
Brooks & Dunn - Boot Scootin' Boogie
Alabama - Dixieland Delight
Dropkick Murphys - Anything by Them!!!

In the course of writing this I had hoped to be a lazy bum and not practice what I am preaching, however, I have instead decided to make this a challenge. I am not divulging my weight, but I will keep you updated on anything that drops off. I hope you will do the same.

Even if you are at your ideal weight, I am issuing the dance challenge. It will be fun to dance and get your blood flowing.

Now, please excuse me, I hear the Dropkick Murphys and Tessie calling to me.



Saturday, December 15, 2012

The Kindness of Strangers



In September of 1990 I had my fifth child, the baby was perfect, but my future looked bleak. My ex, became my ex the week before I gave birth. My son was my second child in two years. My hormones were going crazy.

For months my ex put me through an emotional wringer. He had promised to spend Thanksgiving Day with the children, then never called. The next day my emotions overwhelmed me. I realized I could not remain on the roller coaster ride I had allowed my ex to turn my life into.

That night I went to my first Al-Anon meeting. Listening to other people describe the scenarios I had lived through, I realized I was not crazy. I had thought I was totally going bonkers! I felt infinitely better, but I knew by midweek I would be buried under stress and self-doubt. I needed to re-enforce the message.

I lived in a very small, rural town. I didn’t own a car. The daily Al-Non meetings were forty-five minutes away. A woman at the meeting suggested I attend AA meetings and apply the principals of Al-Anon every time someone said "One day without a drink." I was to think "One day without a drunk."

Starting on Monday and every day, after Sesame Street, I packed the two babies into the double stroller and walked to the AA meetings. My babies and I were welcomed with open arms. I remained quiet at the meetings, absorbing the strength the program gives to those who seek it.

Christmas Eve morning, my ex was at my door. He was drunk. To get him out of the house without further upsetting the children I walked him downtown, otherwise his girlfriend would pick him up at my house.

I left him waiting for her at the bakery.

The day was sunny, with a blustery wind coming off the snow covered mountains. I was agitated, afraid I would let emotions overwhelm me, I dreaded going home. Then a man from AA stepped out of the Post Office. He looked at my face and offered me a ride home.

He reminded me there are things in life we cannot control, especially the actions of others. My job was to take care of myself and my children. My ex was responsible for his own actions. I could not help him to quit drinking nor could I make him be a good father. He asked if I planned to attend a meeting that night or on Christmas Day. He assured me he would find me a ride if I needed one.

I felt better. The people in AA had been strangers a month earlier, but now they were my friends.

I had a network of people who cared. I felt whole.

I have since relocated to another state, but I will always remember that year. It was the year that I had the worst Thanksgiving and the best Christmas ever.

Material gifts are not what matter, not even to children. It is about caring for others. The stranger who drove me home talked to me when I needed it. I gave my children a happy day instead of moping. I didn’t go to a meeting; instead I invited people who were alone to spend the day with us. Good companions warm the soul like a fire in a hearth on a winter’s day.

The holidays are trying times for many. If you know someone who might be having a difficult time dealing with the holidays, please talk to them. Let them know that they are not alone, even when a person is surrounded by family, they can feel alone. Some people hide their distress behind smiles. Look them in the eyes and you will see the truth. 

When we give the gift of compassion it is the greatest gift of all.

Friday, December 7, 2012

Writer + Editor = Good Business

It is with great sadness that I write this article tonight. I just completed the project from hell and decided to give myself a treat. So I pulled out my NOOK and read a friends self-published novel. There are many wonderful self-pubs, so I am not prejudiced against them. However, I am prejudiced against sloppy writing and editing.

Romance writers are fortunate to have groups in almost every state (courtesy of RWA) where they can go and learn about the craft of writing. Yes, there are people who are naturally adept at telling a good story, but there is so much more to putting the words down on paper than there is to relating a tale. 

Good writing is not easy. You can struggle for hours to come up with the right word, and then you strike that blasted word from your manuscript during the rewrite portion of the creation process. That is what a good writer does when there are words or phrases that don't work, no matter how much they had to struggle to get those words.

In the last few days I have read three indie books. One was a humorous romance, which left me feeling happy I had read it. One was a paranormal I wasn't sure I would enjoy. It was Book Three in a series, and I hadn't read One or Two. The story was strong and only included a line or two about past characters that were still active in Three. The author didn't bog it down with too much back story. It was a wonderfully imaginative story. It was clear both these authors had employed good editors.

The third book was a contemporary romance. It had a good story line, that got lost in bad editing. There were several times I would have thrown the book against the wall, but I was reading on my NOOK and I didn't want to damage it. The author told much more than she showed. There were homophones galore. Major repetition. And the biggest crime of all, at one point the the author used the wrong name for the heroine's son. 

Thanks to Indie publishing, every Tom, Dick, or Harriet who has ever taken an English class is setting up a shingle offering their editorial services. This is where you have to be careful and look at your perspective editor's credentials. Just because someone was an English teacher, it doesn't mean they know how to edit fiction.

Another friend of mine had hired an editor, but once my friend uploaded her book, people started contacting her about all the mistakes. She had to take the book down and correct the problems. She was so embarrassed that anyone had seen the uncorrected version. Not a good way to run a business. It's like owning a restaurant with a top notch chef and serving the food on dirty plates.

A good editor can take a good story and turn it into a superior work of art. A bad editor can take an excellent story and make it unreadable. Choose your editor like you do a new car, check out their safety records and kick the tires. Talk to other authors who have used their services. Read some of the books they have edited. Your career is at stake. There are so many good books out there and you want yours to be one of them.